Alex Berry

*Members’ Voice Nominee
Jesus Christ Superstar, Village Theatre

From the nomination panel: “Did a wonderful job to help create this post apocalyptic world.”

Amiya Brown

Sense and Sensibility, Great Expectations, Book-It Repertory Theatre; Love Horse, Washington Ensemble Theatre

From the nomination panel:“Brown’s lighting managed two sprawling tales and all kinds of terrain and location.”

Geoff Korf

The Brothers Size, Seattle Repertory Theatre
From the nomination panel: “Geoff always enhances every show he lights and this was no exception. His lights are a quiet unobtrusive character. Perfect.”

L.B. Morse

Breaking the Code and The Laramie Project, Strawberry Theatre Workshop; Pilgrims Musa and Sheri in the New World, ACT Theatre; Dancing at Lughnasa, Seattle Repertory Theatre

From the nomination panel: “Morse took this simple space and open setting and did wonders with the scenic elements and time passings- really great work that was fun to watch- but it did not take away from the performers at any time.” [Breaking the Code]

Josh Randall

*People’s Voice Nominee

Evil Dead: The Musical, Shipwrecked!, and Emilie, ArtsWest
From the nomination panel: “He has transformed that challenging garage space of [Theater Schmeater] into countless worlds.”

ANDREW D. SMITH – RECIPIENT

The Cider House Rules, Part Two, Book-It Repertory Theatre; O Lovely Glowworm, or Scenes of Great Beauty, New Century Theatre Company; Red Light Winter, Azeotrope; Sextet, Washington Ensemble Theatre; The Threepenny Opera, Seattle Shakespeare Company

From the nomination panel: “Andrew has quickly become one of the true chameleons of Seattle production design with lighting that varies by the artistic vision of each producition.”